A Radical Interior
Some books are enjoyed, some savored, and those that we cannot finish are rejected out of hand. It is a rare novel that gets under your skin, challenges, frustrates and enlightens. Eimear McBride‘s debut novel, A Girl is a Half-Formed Thing, is just such a work of art. It is a difficult, at times painful read. The story is at times, unremittingly sad. It is also lyrical, lovely and enlightening. 
The novel is written as a stream of consciousness. McBride plays with spelling, grammar and syntax, creating an interior dialogue that reflects the subjective and objective world of our narrator. Never fully her own agent yet not without power or influence, the “girl” is a unreliably reliable narrator. We are inside her head, fully awash in her experiences.
Authoring a first person stream of consciousness narration is no easy task. It can feel gimmicky and cheap, a trick from a creative writing program. On the other hand, when successful -and I am thinking of James Joyce (who must have influenced McBride), Faulkner, or Irvine Welsh (Trainspotting), it can be very powerful. Central to the work’s effectiveness is an integrity of voice. It has to ring true. While there is no objective truth in McBride’s novel, it carries with it great authenticity, an aura of truth.
It can also be damn difficult to follow. Many times in the book I had to read sentences aloud to understand – and even then, I am not sure that I fully understood. No matter. In McBride’s handling, I had the sense that my confusion was mirroring the narrator’s own lack of clarity. And that is how life is often experienced.
A Girl Is A Half-Formed Thing has won numerous awards and received critical acclaim. It is the sort of novel that is studied in literature courses. I hope that many readers overcome its challenges and give it their time.
David Potash