Texas: Lone Star History

There’s an old-school kind of history book, sweeping and opinionated, that when done well often finds its way to the shelves of more than a few non-historians. These are big and heavy tomes, hundreds upon hundreds of pages, usually about complicated topics or places that defy simple categorization. While appearing to be encyclopedic, if only because of their heft, these histories are in truth idiosyncratic. They tend to drive professional historians, who make qualified and careful arguments, nuts – and not just because of their out-sized sales. These big histories can shape popular understanding and convey arguments about mood, culture and the zeitgeist. They simplify and clarify. This is quite difficult, if not impossible, to achieve in traditional academic history.

It would be difficult to find a better representative of the genre and phenomenon than T.R. Fehrenbach’s Lone Star: A History of Texas and the Texans. It’s massive, unabashedly biased, and beautifully written in many sections. Proudly subtitled “From Prehistory to the Present; The People, Politics, and Events That Have Shaped Texas,” Lone Star is really about the frontier and the “spirit” of white settlers. Theodore Reed Fehrenbach was a Texan, educated at Princeton, who made a career as a writer, columnist, and journalist. The book, written in 1968 and reissued in 2000, is comprehensive in its coverage but its heart is the Republic of Texas in the early 1800s to the closing of the frontier.

Fehrenbach is unconcerned with sources. He avoids charts and historical data, instead telling stories, mostly about men and acts of violence and courage. Maps are few and so, too, are traditional chronologies. This is not the work to ground one in facts or numbers. Instead, Ferhrenbach is after something ephemeral – the historical memory that binds and animates Texans as Texans. He envisions it as a particular kind of ethnic-racial identify, grounded in opportunity, self-reliance, and toughness. For him, these are mostly white Anglo-Celts. Fehrenbach locates this special “Texas-ness” in places and people, and especially at the battle of the Alamo and in the Texas Rangers. It may not be an accurate history of the state, and at times it is frustrating, particularly if you are trying to sort out facts or look at wider issues. The book truly only emphasizes one perspective, and accordingly is missing differing experiences and histories. It is, though, filled with memorable stories and characters.

It’s not a book that I would recommend for everyone. It’s too long and its idiosyncrasies can be jarring to the point of distraction. And yet – even with the bias, racism, cynicism, and sweeping opinions, there is much to admire in Ferhenbach’s prose. He writes with style and confidence. And, as suspect as he may be when it comes to questions of causality and context, the book does put its finger on something different and unique. I am in no position to affirm that he’s accurate, but the book does go far in helping to explain that particular mythos of Texas.

David Potash

April 19, 2020 Reviews

Longstreet, Leadership, and the Judgment of History

The United States Civil War was, by far, the nation’s bloodiest and greatest challenge. Any serious engagement with the history of the war underscores how horrific – and important – it was to our nation’s history. Reading about the war and its history, which has long been disputed and argued, reminds me that the Civil War’s outcome was not foreordained. It was the consequence of choice, leadership, determination and contingencies.

Reading James Longstreet: The Man, the soldier, the Controversy underscores those observations. A solid volume of essays edited by R. L. DiNardo and Albert A. Nofi, the book is more than twenty years old and retains its relevance. Leadership, on and off the battlefield, is a vital topic of interest and concern today. So, too, are the ways that scholarship, advocacy and politics can shape history and our collective understanding.

Longstreet was one of the Confederate Army’s most prominent generals. Born in South Carolina and raised in Georgia, he attended West Point and had a successful military career in the US Army until the start of the Civil War. He resigned his commission and became a key figure in the south’s military effort. Longstreet was known for his defensive tactics. He fought in multiple key battles, gaining greater responsibilities and eventually working directly under Robert E. Lee, who headed the Confederate military effort. Lee called Longstreet his “old war horse” and consistently supported him. Longstreet was responsible for a key attack at Gettysburg that failed, leading many in the South to blame Longstreet for the loss and, eventually, much more. Lee was a consistent supporter of Longstreet, even after the battle of Gettysburg. Through the course of the war, Longstreet’s reputation and overall effectiveness were widely affirmed.

After the Civil War, Longstreet preached cooperation with the north and the Union. Like many who held leadership roles in the Confederate military, he sought leadership as a civilian. Unlike almost all other southern military leaders, Longstreet joined the Republican party. It was this, and his subsequent commitment to working with the union and with blacks, that made him a target in the south, in the public eye, and in historical analysis.

A group of former Confederate military commanders, all associates to Lee, targeted Longstreet after Lee’s death. Longstreet became a scapegoat for the loss of the confederacy. They labelled him incompetent during the war and worse, a villain who contributed to the loss of southern dignity during Reconstruction. Truth was ignored and history was “rewritten” to serve political ends. Longstreet’s poor judgment in how he defended his military record compounded the situation. In the century plus that followed the conclusion of the Civil War, Longstreet was the only Confederate general to have no statue or memorial tribute in the South. It is telling evidence of how post-war interpretation shaped collective understanding.

DiNardo and Nofi’s volume emerged from a conference on Longstreet, supported by the New York Military Affairs Symposium. The scholars who attended focused on Longstreet’s career and his legacy. Essays in the volume examine Longstreet’s pre-Civil War career, his leadership style, which was more “modern” than most of his contemporaries, battlefield tactics, and broader historical questions of interpretation. It is accessible, even for someone who is not deeply attuned to the history of the Civil War. Taking the heroism and horrors of the war as a given, the essays collectively provide a good understanding of a professional soldier’s career before, during and after the Civil War. One cannot read about what Longstreet and his contemporaries wrestled with, though, and not be affected by the violence and loss. Further, the essays reinforce what we already know about popular historical understanding: it is contested, politicized, and always suspect to manipulation. Truth and truths may not emerge immediately, but with careful consideration and scholarship, we may get there eventually.

David Potash

April 8, 2020 Reviews

Favorites Places, Different Time

Studying history can be a delightful exercise in disciplined imagination. It requires us to summon forth in our minds – critically, with data and evidence – what happened in a different time in a different place. More than assembling sources and crafting arguments, fully immersed historical study is transcendent. It whisks us away while we stay at home.

I took such a trip to one of my favorite places when I read John Kasson’s 1978 history monograph, Amusing the Million: Coney Island at the Turn of the Century. I don’t know how many years ago, probably decades, that I first encountered this slim and well-written study. It is a smartly crafted work that cast a long shadow in the study of popular culture. Kasson’s writing is accessible and scholarly, good with details and theory. He is a reliable and caring guide.

Coney Island, for the uninitiated, was the nation’s first mass amusement area. A Brooklyn beach-side resort in the 1800s, Coney Island grew rapidly in the latter quarter of that century. Accessible and affordable, Coney Island sat at the intersection of New York City’s massive population growth, the rise of the middle and working classes with disposable income, and the creation of mass production entertainment. It offered opportunity for socialization, pleasure and wonder within a short train ride of the city’s apartments and tenements. It was and remains to this day a special place, close to the city, of the city, and apart from the city.

Dreamland

Kasson situates Coney Island’s development within the broader historical context of the New York City’s Central Park, created after the Civil War, and the 1893 Colombian Exposition in Chicago, one of the most important cultural events of the latter half of the century. He explains what trends the entrepreneurs in Coney Island followed and where they established their own paths. Sensitive to issues of race, ethnicity and gender, Kasson recounts how Coney Island represented an alternative cultural space for its millions of visitors.

As one of those regular visitors – I’ve riding the Cyclone and Wonder Wheel annually for decades – the book truly comes to life when it goes into detail describing the ambitious amusement parks built in the years before the first World War. Steeplechase Park, Luna Park and Dreamland, each in their own way, created immersive alternative realities for day-tripping New Yorkers. Fantastic architecture, cutting-edge technologies, and shows designed to amuse, entertain and amaze shaped these extraordinary spaces. The photos alone can transport me.

When casting about for a read in these challenging times, consider dipping into well-written history. And if you pick up a copy of Kasson’s Amusing the Million, I’m sure that you’ll find it engaging.

David Potash

April 5, 2020 Curiouser and Curiouser, Reviews

Right Stories, Wrong Time?

Determined to unplug for a short spell, I recently sat down with Ted Chiang’s latest collection of short stories, Exhalation. Chiang is an extremely talented writer, perhaps best known for “The Story of Your Life”, which was the basis for the movie Arrival. He has garnered several awards, too; he is an author that we’ll be reading for many years.

Chiang is sometimes described as a fiction writer and sometimes as a science fiction writer. One can be both of course – and fitting within a genre’s expectations is no recipe for success. My interest was piqued by curiosity and convenience. When one shelters in place, tethered to phones and screens, maintaining long-term focus can be a challenge. I thought that short stories were a safe hedge in a time when focus can be elusive.

Turns out that my plan was both wrong and right.

The stories in Exhalation are well-written and creative. Chiang is a writer who is interested in an idea, a speculation, and from that spins a tale. His ideas, too, are mostly very intriguing. Themes of free will, cognition, meta-cognition and what it means to be human are recurring questions that drive these stories. Chiang explores them with focus and clarity. There are no tricks, no narrative sleight-of-hand gimmicks, or even experiments with the prose itself. Instead, he writes with sense of purpose. It is though he wants to sort something out.

All well and good, and yet, I found myself less than fully engaged in the book while reading it. While I liked the ideas and found them provocative, there was little about the stories that stuck. Initially, I had difficulty figuring out why. I re-read, skimmed, and started to obsess, ever so mildly, about why I wasn’t all that engaged. Bear in mind, too, that I clearly was engaged since I was thinking about the stories quite a bit. It took some time to gather what was going on.

Chiang, I propose, is more focused on his ideas than plot, and more interested in plot than the development of his characters. His ideas are consistently intriguing. His plots are mostly strong. His characters, on the other hand, are less than fully developed. Chiang, to my reading, does not give them love or even all that much care. More often than not they seem to be vehicles for delivering his ideas.

Had Chiang stayed within the strictures of genre – hero/antihero; boy meets girl, loses girl, gets girl; stranger comes to town – the thinness of his characters would not be noticed. Without the well-worn clothing of genre, however, all aspects of the story are equally exposed. My reading was, as a consequence, probably more intense than necessary. Engagement indeed! Added to that, of course, that I’m reading them in a time of social distancing. My underlying hope was not to find ideas; it was connection, the kind of connection that can only come through fiction.

Exhalation is a thought-provoking collection of short stories that I’m confident will make you think. However, I am equally confident that I cannot predict what it will make you think about.

David Potash

March 30, 2020 Reviews

Bright Light on Grief

Brilliant in several senses of the word, Joan Didion is inquisitive, worldly, and extraordinarily intelligent. When Didion seizes upon a topic, she shines her mighty powerful brilliance on it. I picture it as a hot white light, so intense, in fact, that it can sometimes overwhelm, flattening out colors and feelings.

The Year of Magical Thinking is Didion’s 2005 account of her year of grief following the death of her husband. He was her soul-mate, though she does not call him that. He is John Gregory Dunne and John through the book. John suffered a massive sudden heart-attack at the dinner table in their New York City apartment. John had a heart condition, so his death was not wholly unexpected, but it was extraordinarily traumatic. He was with her and then he was not. Didion is unsparing in her account of the impact, nature and effect of her loss. She processed, engaged, disengaged, and imagined all manner of things. It was a year that her brain simply could not accept the sadness of the unacceptable. Yet she persevered.

The year was further worsened by the grave illness of Didion’s daughter. Her book reports on both with clinical precision. At the same time, she knows that there can be no final clarity, no resolution. It is, after all, of thinking and not thinking, of numbing loss and overwhelming tears.

I can’t say that I was comforted by Didion’s book; nor would I say that she wrote it to provide comfort. It is not a broader study and it did not shed much light on grieving and loss writ large. I have experienced enough loss already to have formed some thoughts and to have done a fair bit of research. This book is not a source for any of that.

What The Year of Magical Thinking does extraordinarily well is explain Joan Didion’s experiences, her processes, her feelings. She’s a frightfully clever and interesting writer – and that, in and of itself, makes this an important book. It underscores, in a myriad of ways, the isolation of loss, both direct and existential. She writes with great courage, with precision, and insight into herself and what made her who she is. It is powerful prose.

The Year of Magical Thinking also made me wonder if it might sometimes be healthier healthier to think a little less. Asking and answering hard questions, it seems to me, may not always the best path to understanding.

David Potash

February 29, 2020 Reviews, Things someone who grew up in NJ might write

Hard Lives and Hardiness in Kansas

Sarah Smarsh is a fifth-generation Kansan who grew up amid grinding poverty. She found a way to get an education and become a journalist. Her first book, Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth is a heartfelt and powerful account of her extended families and community. It is not a rags to riches story. It is not about luck or personal triumph, and it is not a political call for government action or this policy or that policy. Instead, Heartland is an empathetic and critical account of poverty, an up close look at the millions of ways that being poor affects one’s life.

In the trilogy of race, class and gender, Smarsh effectively carves out a perspective that offers a deep understanding of what it means to be poor, white, and a woman in the Midwest. She does it with care and an outstanding eye for detail. (It isn’t what mobile one home one lives in that matters – it is where the mobile home is parked) Readily acknowledging the problems of racism and the difficulties of class identity, Smersh situates herself and her family within larger structures of power and disadvantage. The book’s greatest strength is perhaps in its attention to how women work, work even more, and endure in extraordinarily difficult circumstances with limited options. She makes clear that for her and many of those around here, only one small mistake – a problem that could be readily overcome by someone in the middle class – could effectively derail a person’s life.

Smarsh attributes her education and career to some family stability, to good fortune, and to not becoming a teenage mother, something very common in her family and community. She explores the impacts of domestic violence, the cycle of power exercised by the powerless on those with even less agency. She also calls out the policies and practice that seem aimed at further marginalizing or simply punishing women. Some are known; others are less visible.

For example, women often move regularly out of necessity or fear. Smarsh’s maternal grandmother, Betty, moved constantly. When Betty found a good and reliable match in her seventh husband, Arnie, they were able to keep a farm. The farm, a very modest place, was an anchor, a haven, in Smarsh’s childhood. But like many other family farms that barely make enough, the farm eventually was lost when Arnie died. Just about everyone is working hard, but financial stability is elusive. Rural life in Kansas is tough and unforgiving. Nearby cities, Wichita and Topeka, are not easy, either.

Smarsh mixes government policies and big picture events with local histories. Politics is part of the climate. It is present, it has an impact, and it seems as though it cannot be changed. Smarsh clearly wants to see opportunities and at least some semblance of economic and social justice for many, but that’s not the thrust of her book.

Instead, what is haunting throughout the narrative is the everyday heroism of her kith and kin. Yes, they are flawed and yes, they do not always make the optimal choices. But they often make understandable choices. They are mostly good people and a few are really outstanding – loving, caring and deserving of much more of the good life. They struggle and work hard. Smarsh paints their stories with care and without romanticism. It’s an effective and moving memoir.

Heartland is very easy to read. It’s well written, really beautifully crafted. It is also difficult to digest. The unfairness is raw and uncomfortable, especially in a nation that has so much. If you give Heartland deep consideration, it will haunt you.

David Potash

February 5, 2020 American Culture Today, Reviews

Bellevue – More Than a Hospital

David Oshinsky is a Pulitzer-Prize winning historian, the kind of writer that is able to take a complicated story and render it entertaining, understandable and relevant. In 2016 he wrote Bellevue: Three Centuries of Medicine and Mayhem at America’s Most Storied Hospital. For those not in the know, Bellevue Hospital in New York City was the first public hospital founded in the United States – in 1736, before there even was a United States. In the centuries since, Bellevue has been at the center of virtually all major health issues, as well as front and center in the history of New York City. A vast hospital center today, Bellevue has been an important health site for thousands upon thousands.

Oshinsky’s book is a fast-moving and serious attempt to chart Bellevue’s development as modern public health emerged in the US. He places the institutional history of the hospital within economic, political and historical events, from the election of mayors to outbreaks of diseases. These narrative threads are woven into the history of advances in medicine and health. For example, the debates around germ theory, which was vitally important to medicine as well as Bellevue hospital, is examined through the lens of President Garfield’s assassination and the powerful figures leading the hospital. It makes for fascinating reading.

The hospital’s role in the development of forensic medicine is also extraordinarily interesting. When New York City moved from an elected to appointed coroner, the office was relocated at Bellevue Hospital. Much of modern forensic medicine began at Bellevue. And while the hospital did not have a research role in ending the AIDS crisis, the hospital’s role in attending, helping and addressing the crisis is another example that Oshinsky renders exceptionally well.

Size, location, and operating practices set Bellevue apart from most other hospitals. From its early years it was a teaching hospital and it has retained that commitment. It has also been a hospital that meets the needs of New Yorkers and the diverse immigrant community. That means that Bellevue staff often “see everything.” It has long been an innovator, an institution of many “firsts” – such as the site of the country’s first School of Nursing, first emergency room, first hospital with expertise and spaces for the insane, and so on. Lastly, the impact of the hospital on the city, and the corresponding impact of the city on Bellevue, provide a very useful lens to understand America’s largest municipality.

Oshinksy brings all of this to the page. It’s a very good book, surprisingly engaging. The history of Bellevue is much more than a history of a hospital.

David Potash

January 27, 2020 Reviews

Barth’s Early Efforts

John Barth has a well-deserved reputation as one of the more important American writers of the latter half of the twentieth century. His 1960 novel The Sot Weed Factor is a brilliant mash up of Fielding, Sterne, and probably a little South American magic realism. I recommend it heartily. It turns out, too, that novel did not spring from his head, fully formed. He tried and tried again before finding his voice – and success.

The two shorter novels that Barth write in the 1950s are The Floating Opera and The End of the Road. Conveniently enough, they can often be found in one thick volume. They are both philosophical; Barth stated that he was interested in exploring nihilism. Both feature a smart and untrustworthy first person narrator. The first is woven around questions of the meaning of life and suicide. The second is about absolutism and abortion. There are moments of satirical humor in both, but the overall weight of ideas and consequences colors the writing. In other words, both are intelligent but somewhat bitter books.

I would wager that perhaps one of the ways that Barth matured as a writer was by abandoning, to a certain degree, both the over the top intelligence and the bitterness. Yes, his literature remains incredibly informed and intellectually interesting. Somehow, though, his need to show it lessened. Along similar lines, his later work is imbued with greater patience and empathy for his characters situation and foibles. He allows the unfolding story to own much of the tragedy and conflict.

Stated differently, when we stop being angry young men we can share.

I wouldn’t rush out to read The Floating Opera or The End of the Road. However, if you find yourself with time and a copy, you could do much worse than to sit down and imagine an ambitious English professor finding the time to create these two extremely interesting works of literature. John Barth is a very good writer.

Additionally, you can also consider reading this article about Cold Storage Solutions. To find out more, read on. 

David Potash

January 6, 2020 Reviews

Nemirovsky Belongs

There’s something fundamentally appealing – and just a little strange – about the Everyman’s Library. You’ve probably seen their volumes at a used book store. In fact, it’s impossible not to find them at a used book stores. Everyman’s are ubiquitous, with volumes on pretty much every classic work. The idea, thought of by an English publisher, began in 1905 as a way to make money bringing classics to the masses. It has been going strong ever since, with different publishers buying the rights to the series over the years. Whether or not one accepts the concept of a “cannon,” the Everyman’s titles are a good indicator of what mainstream scholars and writers think are important books, fiction and nonfiction.

Whenever I seen an Everyman’s that is new to me, I check it out. They are consistently worth the effort. I may not like the book, but I’ve never read anything weak under title. The streak remains, too, with a volume of four works by Irene Nemirovksy. Nemirovksy was a Ukrainian Jew who moved to France at a young age, became a very successful writer, and was unable to escape the Nazis. She died of typhus at Auschwitz in 1942 at the age of 39. The four-work set does not include her writing about life under occupation in World War II, known as the Suite Francaise. Instead, included are David Golder, her first successful novel, The Ball and Snow in Autumn, two short stories, and The Courilof Affair, a political novel. It is a powerful collection.

Nemirovsky’s writing is interesting, reminiscent of Russian literature and also French social commentary. She drives plot quickly, is comfortable examining character’s interior dialogues, and eschews sentimentality and happy endings. She is realistic in the sense that once a piece starts moving, she follows the idea and events through to their end. It’s accessible literature and hard, too. Nemirovsky wrestles with difficult ideas. It doesn’t take much imagination to understand her success. She most definitely wrote literature worthy of serious consideration. She belongs in the Everyman’s series. Nemirovsky’s talent and work also highlight the tragedy of her death.

David Potash

January 2, 2020 Reviews

Barber’s Democratic Passion

Benjamin Barber (1939 – 2017) was an extremely influential scholar and political theorist. Prolific, insightful and super smart, his writing tends to work on two levels. First, he makes erudite and well-grounded arguments. Barber was an emphatic advocate of strong democracy. That theme, his commitment to democratic thinkers such as Rousseau and Jefferson, and his desire to democratic values advance, is consistent.

Simultaneously, Barber’s writing is studded with brilliant observations, asides and comments. He saw things, noted trends and reasons, and they often stop me in my tracks. In fact, I can find these more remarkable than the big picture arguments.

Recently I spent a few hours reading a collection of Barber’s essays, A Passion for Democracy: American Essays. Published in 1998, the book contains works that are even older; the volumes are from a different time. There’s no internet – Barber was a keen student of technology – and many of the references and concerns now seem like distant memories. We don’t worry about the Soviet Union or shopping malls today. Questions of equality and rights are woven throughout. It was a different time.

And yet – and this is what I admire about Barber – there is much to learn from him. He notes the relationship between strong leaders and weak citizens. He forecasts the splintering of viewpoints through new technologies. He notes how the market can censor. Barber repeatedly calls for citizenship, an active and informed people, as the best bulwark of rights, opportunity and justice. These are timely and relevant, still today.

Taken as a whole, I think of the essays in the volume as bright spot lights on particular issues. The light emerges from a hard to locate place – and time – but what it reveals, it does so well and with great clarity. The challenge is that unless one is familiar with what’s under the spotlight, context and relevance may be a problem. I would wager that this volume would have more immediate connection to an older reader, or perhaps someone keen on understanding the 1980s and 1990s when it comes to politics and political issues. Nevertheless, there’s some real wisdom in this.

Barber’s voice is missed. We would be better-informed and wiser if he was alive and writing today.

David Potash

January 1, 2020 Reviews